playstationexclusive:

Freedom Wars - PS Vita Exclusive [x]

"In the far future you have been convicted of for the crime of living. You sentence: 1,000,000 years. Volunteer to serve and earn your freedom."

viagrah:

undercover-witch:

You do know the one with the beautifully colored plumage is the male peacock and it only presents itself like that to attract the plain colored female, right?
So basically the only role your fabulousness has is to impress the plain ol’ me. And I may or may not give a fuck.




the last one omfg im so done

viagrah:

undercover-witch:

You do know the one with the beautifully colored plumage is the male peacock and it only presents itself like that to attract the plain colored female, right?

So basically the only role your fabulousness has is to impress the plain ol’ me. And I may or may not give a fuck.

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the last one omfg im so done

curious-wiccan:

Norwegian forest cat chasing a fox

curious-wiccan:

Norwegian forest cat chasing a fox

shingworks:

samaldencomics:

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Sam Alden, The Worm Troll, 2013

First published as Il troll dei vermi by Delebile Edizioni, available to order here.

wow… fantastic visual storytelling

fuckyeahkagamine-twins:

so miku is opening for lady gaga

fuckyeahkagamine-twins:

so miku is opening for lady gaga

xekstrin:

The best part of adventure time will always be how much these two genuinely love each other

thekusabi:

(source)

l-cardenas-draws:

A Tribute to Studio GAINAX and Studio Trigger.

Thanks for all the really weird and awesome anime!

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

M A K O T O   T A C H I B A N A

caitric:

Lost them all

kitsune23star:

Somebody please stop me!

nereidum:

I DIED

dietdoctorkelp:

burtreynoldsmustache:

wherethefuckisbulbasaur:

They could all get it.

bush and clinton are hot tho

i have a presidential erection